Horseid beach, Lofoten Islands, Norway

Photo: Dark skies over Horseid beach, Moskenesøya, Lofoten Islands, Norway.  August 22, 2012.  15:51

I arrived on Lofoten early the previous morning and immediately caught the ferry to Kierkefjord to make the hike to Horseid beach.  Exhausted, I fell asleep in the early afternoon to the sound of a gently rain falling on my tent.  15 hours later I finally emerged.  The sky was still gray, but at least the clouds had risen and the rain was now only arriving in passing showers several times per hour.  As time passed the northwestern sky began to clear and moving beams of light would shine across the beach.

With the right tide (high), the small peninsula of land at the far end of Horseid beach provides an almost perfect view directly back towards the pass; the mountains in almost perfect symmetry.  Now it was my task to wait around for a bit of light.  When the sun happened to pass across the beach, the water was a brilliant turquoise. I knew I wanted to highlight this aspect of the scene, while not minding so much about the lighting on the background, or actually preferring it to remain dark and dramatic.

With the quickly moving light, I first shot with ‘normal’ exposures, but wasn’t getting the mood I was looking for out of the scene.  So I added my 10 stop B+W neutral density filter and then waited for the next found of light.  Shooting with 30 second exposures, it took a while for the elements to align themselves: a pleasing blur in the water with the correct timing of the waves and a long enough moment of sunlight across the beach to bring out the exposure and add some contrast against the mountains in the distance.  And even though the wind was fairly soft by this time, the 30 second exposure helps soften up the clouds a little, giving a bit more separate between them and the mountains.

For reference, I’ve included the following ‘outtake’ photo of the scene exposed at 1/250 sec.  While you can tell it would be something pleasant to sit there and look at in person (albeit a bit on the chilly side), visually, there is nowhere near the impact of the above photo.

Camera Info:
Nikon D800
Nikon 24mm f/3.5 tilt-shift
24mm
ISO 80
f 11
30 sec
WB Daylight
2 images – top/bottom
10 stop ND filter

horseid beach, lofoten islands, norway

Silhouette of landscape photographer on summit of Offersoykammen with Flakstadoy in background, Lofoten Islands, Norway

Photo: Photographer at Sunset on Offersøykammen, Vestvågøya, Lofoten Islands, Norway. May 4, 2013. 20:36

[I’m barely squeaking in under this deadline this week. I should probably write these out a day or two in advance to be on the safe side…]

I’ve come the appreciate the small peak of Offersøykammen as a relatively easy spot to reach which provides the willing photographer with a number of possible compositions. The most dramatic of which is perhaps the view towards Flakstadøya, as the wall of mountains rise out of the turbulent waters of the Nappstraumen.

Never knowing exactly what the light might do, I always this it’s best to head up into the hills with a bit of extra time to spare. 10 days into this trip, and any sort of decent sunset had yet to materialize, no matter how brilliant the day, as a perpetual wall of cloud blocked the horizon.

And so the three of us found ourselves sitting on top of the mountain, in the freezing wind, for hours, waiting in hope for the arrival of some light. But alas, as the sun neared the horizon, the clouds took over and the light and color faded in another anticlimactic finish of the day. And so we headed down, slightly defeated, but better than having sat at another beach, again…

Camera Info:
Nikon D800
Nikon 27-70 f 2.8
32mm
ISO 100
f 13
1/100 sec
WB Daylight

Tent camping at Horseid beach, Lofoten Islands, Norway
Photo: Camping at Horseid Beach, Moskenesøya, Lofoten Islands, Norway.  August 22, 2012.  19:32

I think Horseid beach is one of the more wild and dramatic locations on the Lofoten Islands to set up a tent.   With a multitude of camping places available, heading out to the furthest reaches of the beach to a small grassy headland is a slightly exposed, but unforgettable place to pitch your tent.

Normally I don’t like to hike in the rain, but immediately upon departing the ferry in Moskenes on a late August morning I was already changing into my rain gear.  A steady line of cold, tired looking backpackers was waiting for their departures from the islands, the Summer in the north quickly coming to its end.  My journey was just beginning however…

The Reine ferry to Kierkefjord – Vindstad was more crowded than I was expecting, however only three of us exited in Kierkefjord.  Despite the fact that the pass through the mountains is quite low, it was thoroughly concealed in clouds.  Heading higher and higher up the trail the rain fell harder and the visibility dimmed, until it was barely possible to follow the trail.  At one point I wasn’t sure if I was still going the right direction and it was only until I stopped for a second and heard the faint crashing of waves in the distance that I knew I was still on the right path (there is really only one way to go, so it’s a bit hard to get too lost.).  Finally I descended below the clouds and could see the beach, still a few kilometers away.

From the distance, Horseid beach doesn’t appear all that big, but it is a deceptively long hike from the back of the beach until finally reaching the edge of the sea.  Still raining, I immediately set up my tent and crawled into my sleeping bag.  And due to my exhaustion from 30 hours of travel, I was quickly asleep.  Not that I was missing any photo opportunities anyhow.

Gray skies greeted the next morning, with elusive moments of sunlight appearing every now and again between passing bands of rain.  Most of my time was spend gathering wood for a campfire and figuring out the best place to gather fresh water (the small waterfalls on the right side of the beach).  But every time the sun would pop out for more than a minute, I’d grab my camera and try to get a photo or two.  And hence, sometime in the early summer evening, I turned my attention to my tent as a bit of weak light arrived.

Camera Info:
Nikon D800
Nikon 24mm f/3.5 tilt-shift
24mm
ISO 100
f 5.6
1/80 sec
WB Daylight
2 images – top/bottom

Mountain peaks rise above Bunes beach in spring twilight light, Moskenesoy, Lofoten Islands, Norway

Photo: Mountain reflection on Bunes Beach, Moskenesøya, Lofoten Islands.  Apri 29, 2013.  22:33

After only a few days on Lofoten with my my Aussie travel companions Adam and Rod, I had received the friendly nickname of ‘Captain Wetfoot,’ based upon my proven abilities to almost always end up in the water somehow.  This night shooting on Bunes beach would be no exception.

Shooting with at 24mm tilt-shift lens to end up with a square crop means I need to shoot at least 2 photos.  And with each photo having a 60 second exposure (+noise reduction) means I need to stand in the same place for at least 4 minutes.  The trick is to find the balance point where the highest tide will just barely reach you.  Too far from the sea and the foreground might be a bit dull.  Too close to the sea, and you’ll end up named Captain Wetfoot.

The wet feat I can deal with, especially with the size of the campfire I would build on my return.  But since I generally only carry a light tripod, any incoming waves will tend to shake the tripod or sink the legs into the sand ever so slightly, which is often enough to add blur to the scene.  Thus I sit there anxiously as the seconds tick by on my watch, hoping the water gets close, but not too close.  If the wave is small, no problem.  But if I’m sent running halfway through the second shot, it means I have to start all over again.  So 4 minutes easily turns into a half hour or more for a single photo.

Camera Info:
Nikon D800
Nikon 24mm f/3.5 tilt-shift
24mm
ISO 100
f 11
61 sec
WB Daylight
2 images – top/bottom

Colorful sunset from Storsandnes Beach, Flakstadoy, Lofoten Islands, Norway

Photo: Storsandnes beach sunset.  May 8, 2013.  22:39

After nearly two weeks of spring on Lofoten, including some days of fine and settled weather, this was the first night in which any color arrived.  But unfortunately for me, this was also my last night on the islands for this trip.

Overall, the spring had been on the cold side, but there was a good amount of days with fairly settled weather. Unfortunately though, there seemed to be a perpetual bank of cloud that hung on the northwest horizon, so no matter how much potential for nice light the evening might give, the color would eventually fade away into some dull blueish gray tones as the sun neared the horizon.  Frustrating to say the least.

But finally on my last night on the islands, conditions aligned themselves for a bit of color.  Now I’m not really a ‘sunset’ shooter, that is to say I prefer other, more subtle lighting conditions (usually something dramatic and stormy), but I do appreciate a bit of colour and and then.  And so what seems to be something of a common occurrence for me on Lofoten, the last day always offers me something special.  Perhaps so I leave the islands on a high point and with an eagerness to return; which of course I will, no doubt…

Camera Info:
Nikon D800
Nikon 24mm f/3.5 tilt-shift
24mm
ISO 50
f 11
20 sec
WB Daylight
2 images – top/bottom

campfire at Bunes Beach, Moskenesoy, Lofoten Islands, Norway

Photo: Driftwood campfire at Bunes Beach, Moskenesøya, Lofoten Islands, Norway.  April 30, 2013.  01:46

As the twilight nights of late April and early May arrive on Lofoten, exhaustion and insomnia become constant companions for the landscape photographer.  And if you’re wanting a few hours around a campfire, it needs to wait for the few hours between sunrise and sunset, an all to late in my opinion.  But after an afternoon of scouring the beach for driftwood, and then shooting until well past midnight, an hour or so by a fire is a welcomed reward.

I’ve written before that Spring, in the normal meaning of the word doesn’t really exist on Lofoten.  It is more of a ‘brown period,’ between the melting of the snow on the lower elevations and the return of green, in mid May.  But over these few weeks, the nights disappear in their entirety and suddenly you will find yourself surrounded by Summer.

With a couple Australian landscape photographers as my companions (I’ll write more on this later), I took the opportunity of a stable weather forecast to head out to Bunes beach and camp for a night.  I was still exhausted from my nearly 40 hours of travel to the islands, having arrived just a few days prior, so I think I slept most of the afternoon away as well, but as the evening came, it was time to head out for some photography.

It wasn’t until after 01:00 am that we were finally back at the tents and finally finished with the night.  Of course I can never let a campfire go to waste as a photo opportunity as well…

Camera Info:
Nikon D800
Nikon 24mm f/3.5 tilt-shift
24mm
ISO 200
f 5.6
5 sec
WB Daylight
2 images – top/bottom

Evening campfire at Utakleiv beach, Lofoten Islands, Norway
Photo: Driftwood campfire, Utakleiv, Vestvågøya, Lofoten Islands, Norway.  Aug 27, 2012.  21:44

Despite the fact that it had been as near to a perfect day as is possible on Lofoten, I was the only one to setup a tent at Utakleiv this evening.  By late summer, burnable wood can be somewhat scarce to come by, all the best driftwood having been previously scoured from the beaches over the preceding months.  But despite this, I managed to collect together an unseemly assortment of half moist logs and boards from the rocks at Utakleiv.

Even in late summer the nights are so short that a fire isn’t really necessary, but to me it’s more of a tradition while camping than anything else.  Although sitting alone by a fire still feels a bit lonely, there was no one else around to share it with.  And so I sat, on one of the few calm evenings of summer 2012, myself and my fire at Utakleiv while the sun sank below the horizon.

Camera Info:
Nikon D800
Nikon 24+70mm f-2.8
70mm
ISO 100
f 4
.3 sec
WB Daylight

Reflection of misty mountains and village, Rolvsfjord, Lofoten Islands, Norway
Photo: Rolvsfjord, Vestvågøya, Lofoten Islands, Norway.  Sept. 29, 2011.  13:03

If you spend enough time on the islands you’ll soon come to realize that the weather changes quite literally around every corner.  Taking the southern coastal road, 815, on Vestvågøya towards Svolvaer the seas were choppy an rough.  Until I rounded a corner near Rolvsfjord and the land sat in perfect calm.

Normally I avoid images with so many buildings, but something about this scene seemed too good to pass by.  Or perhaps it was merely that I’d yet to have anything for the day to show for.  But this image feels somewhat surreal and otherworldly to me.  The contrast of the fir trees to the amber colors of Autumn and the rising clouds of a recently passed shower help give depth to the image while the almost welcoming landscape seems soft and forgiving.  Almost something Lord of the Rings like in character.

Camera Info:
Nikon D700
Nikon 24-70 f-2.8
38mm
ISO 200
f 9
1/50 sec
WB Daylight

Dark weather over coast, Stamsund, Lofoten islands, Norway
Photo: Stamsund blue, Stamsund, Vestvågøya, Lofoten Islands, Norway.  Oct. 1, 2011.  16:41

I am not sure how many hours of my life I have stood in this location, the outer coast beyond the Stamsund youth hostel, but it is probably well into a day by now.  My more or less default spot when the weather is grim and I dare not venture too far from the warm fire burning in the old Eidsfos Verk #242.

On this gloomy autumn day, this is the only place I ventured to in hopes of a few images so as not to feel the day a complete waste.

Camera Info:
Nikon D700
Nikon 24-70 f-2.8
70mm
ISO 100
f 11
61 sec
WB Daylight
2 images – top/bottom

Dramatic scenery at snow covered coastline, Å I Lofoten, Lofoten Islands, Norway
Photo: Approaching winter storm, Å I Lofoten, Moskenesøya, Lofoten Islands, Norway.  Feb 12, 2012.  15:27

The last full day of my February 2012 Lofoten.  After nearly a week of positive temperatures and horrible rain, the thermostat fell below zero and snow once again fell upon the islands.  In late afternoon, I headed back to one of my favorite winter locations, the cliffs beyond Å.

It was one of those classic Lofoten winter days of snow flurries sweeping across the islands.  If you try and run from the weather on days like this, you’ll never get a shot if it’s more than a few minutes from your car.  You wait on the edge, watching as the next wave of snow heads towards you, shooting until the last minute.  Then you hide your camera under your jacket, turn your head away from the wind and wait until the snow passes, if it passes.

With luck, you only have to stand there 10-15 minutes until the clouds once again rise and a brilliant fresh layer of snow covers the land.  You try to shoot what you can as you watch the next cycle approach.  Repeat ad infinitum.  Winter on Lofoten.

Camera Info:
Nikon D700
Nikon 16-35 f-4
16mm
ISO 100
f 11
10 sec
WB Daylight